The exhibition is a game of encounters between poetic and visual languages, along with formal approaches that derive from methods of making, empathies, and the questions posed by the artistic proposals of its authors: Maria Ribeiro, Miguel António Domingues, and Daniel Mattar.
Curator João Silvério
In the works of Daniel Mattar and Antonio Bokel, we encounter two distinct approaches to manipulating the geometry of shapes, yet also imbued with a poetic aura that sets them apart. In one way or another, the form seems to cross points of contact in their processes of work and research, prominently present in gestures closely linked to the act of creation that reveal solutions and inquiries that transcend mere formal concerns, or sometimes verge on an apparent informality. In this aspect, these gestures, so to speak, recall the history of 20th-century art, revisiting practices in painting and sculpture that question methodologies and various compositional variants typified in these disciplines.
Curator João Silvério
This limited edition art book brings together the artistic journey of Daniel Mattar over the past seven years, a period marked by his move to Lisbon and filled with transformative changes that guided the evolution of Mattar's work through the years. Flowing Forms features a critical essay by French curator Martha Kirszenbaum and a biographical text by Brazilian journalist Renata Izaal.
Dimensions: 24 × 28,50 cm
Pages: 224
ISBN: 978-989-33-5121-5
Status: Available
As in Emily Dickinson's poem "Forever is composed of nows", which inspires the title of this exhibition, the idea of time here is an agent that has neither beginning nor end, It is infinite in the many "nows" of this encounter between Patricia Goùvea and Daniel Mattar. One facing the other, artists with different inspirations, but in dialogue in the layers of duration, colour and movement of their productions.
From the creative dialogue between the artists Daniel Mattar and Nelson Porto, the shared concept of 'Hiperfície' emerges. This idea, translated into the works presented in the homonymous exhibition, refers to a latent creative space that emerges from the ever growing fault lines between the digital and physical realms.
This exhibition is based on the meeting of two convergent and complementary poetics. Both Francisco Baccaro and Daniel Mattar have Japanese culture as an important visual and conceptual reference.
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.